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9th Mediterranean Congress of Aesthetics

September 17-20, 2025, Çanakkale, Turkey

Historicity and Contemporaneity

SANART Association of Aesthetics and Visual Culture invites proposals on the theme of “Historicity and Contemporaneity” for the 9th The Mediterranean Congress of Aesthetics which is organised in cooperation with Çanakkale Onsekiz Mart University. The conference will explore the complex relationship between our understanding of the past and our experience of the present with a particular focus on the aesthetic dimensions of this dynamic.

In a world characterized by both global interconnectedness and local specificities, our temporal geographies are marked by a constant tension between the enduring legacies of history and the ever-shifting currents of the present. How do we navigate this tension? How does our awareness of the past shape our aesthetic sensibilities, and creative practices in the contemporary moment?

The congress will feature keynote addresses from renowned experts Thierry de Duve, Jacob Lund, Alan Wenham Prosser, and Eray Çaylı. It will foster a global dialogue among researchers from diverse fields and backgrounds.

We invite papers that address (but are not limited to) the following subtopics:

  • Foundations and Frameworks: Defining historicity and contemporaneity; theories of historical consciousness; aesthetics and the historical imagination.
  • Historical Perspectives on Aesthetics: Ancient, Medieval, Renaissance, Modern, and Postmodern aesthetics.
  • Contemporary Manifestations of Historicity and Art: Historical representation in art; the role of museums and archives; digital historicity; contemporaneity, art, and new technologies.
  • Aesthetics and the Politics of History: History, memory, and trauma; contested histories; the ethics of historical representation.
  • Future Trajectories: The future of the past; aesthetics and the Anthropocene; transhumanism and the posthuman; artificial intelligence and art.
  • Tradition and its Aesthetic Implications: Tradition as a source of aesthetic value; the reinterpretation of tradition; tradition and innovation; the globalization of tradition; tradition and identity.

Conference Location:

The conference will be held at Çanakkale Onsekiz Mart University, located in the historically rich city of Çanakkale, which provides a fitting backdrop for a conference exploring the intersections of history and contemporary thought. Overlooking the Dardanelles Strait, the university is situated in a region steeped in ancient and modern history, offering a poignant reminder of the enduring impact of the past on the present. Its modern facilities and commitment to academic excellence create a stimulating environment for intellectual exchange and discourse, making it an ideal venue for the Mediterranean Congress of Aesthetics. The location of Çanakkale also provides convenient access to significant historical sites like Troy and Assos, enriching the conference experience with opportunities for exploration and reflection.

Online Participation

We believe that in-person interaction fosters invaluable connections and lively discussions among colleagues and researchers from different disciplines and cultures, enriching the experience of scientific events. For this reason, we encourage your in-person attendance at the congress. Recognizing that circumstances may prevent some from traveling, we are also offering limited online participation to promote equitable access. We encourage you to consider this option only if substantial financial or other obstacles prevent your in-person attendance.

Excursions

Extend your stay and delve deeper into the rich history of the region! On Saturday, following the congress’s conclusion on Friday, we will be organizing a captivating excursion to the legendary city of Troy, famed for its role in Greek mythology, and the ancient port city of Assos, where Aristotle himself once lived and taught. This is a fantastic opportunity to explore these iconic sites firsthand and walk in the footsteps of history. In addition, depending on demand, we are considering organizing an alternative excursion to the Gallipoli Peninsula, a site of immense historical significance from World War I, famous for its preserved trenches. We will email all participants before the congress with information about the schedules, costs, and how to register for any of the potential excursions.

Submission Guidelines:

Please submit abstracts of 300-500 words by clicking the “Submission” tab above.

We welcome submissions from scholars, artists, and researchers in all relevant fields.

Important Dates:

Deadline for Abstract Submission: June 25, 2025

Notification of Acceptance: August 1, 2025

Last Day for the payment of Congress Fee in Advance: August 15, 2025

Registration Fees:

Registration Fee for International Delegates: 150 Euros (200 Euros for late and on-cite payment)***

Student Fee: 100 Euros

Registration Fee for Delegates from Turkey: 2000 TL**

Students and SANART Members: 1500 TL**

There is no fee and registration requirement for audience members.

*The Registration Fee Includes Congress Pack, Lunches, Refreshments, and Abstracts e-book.

As a non-profit organization, SANART uses congress application fees exclusively to cover the costs of the event. This includes fair compensation for the valuable contributions of students, designers, organizers, referees, etc. Any remaining funds will be allocated to SANART’s budget to support future initiatives.

** A grant from The Scientific and Technological Research Council of Türkiye allows us to subsidize fees for participants from Türkiye.

*** Attendees facing financial hardship are encouraged to contact us about funding opportunities. We strive to facilitate global participation and will work to mitigate financial barriers. Plese contact us at mca@sanart.org.tr to explore available options.

We support Scholarly Communication Network’s “Manifesto for Equity in Scientific Event Participation

  • e. Murat Çelik (SANART, Ankara University, Türkiye)
  • Özgür Uçar (Çanakkale Onsekiz Mart University, Türkiye)
  • Jale N. Erzen (SANART, Türkiye)
  • Pelin Yoncacı Arslan (SANART, Middle East Technical University, Türkiye)
  • Ekin Pınar (Sanart, Middle East Technical University, Türkiye)
  • Bedriye Kaba Işık ( SANART)
  • İrem Özatay (Ankara University)
  • Emre Koyuncu (Ankara University)
  • Hikmet Ünlü (Hacettepe University)
  • Sengün Meltem Acar (Ankara Hacı Bayram Veli University, Türkiye)
  • Uygar Abacı (Penn State University, USA)
  • Kaiti Dimitsantou – Kremezi (Athens National Technical University, Greece)


  • Ahu ANTMEN (Sabancı University Faculty of Arts and Social Sciences) 
  • Yalçın ARMAĞAN (İstanbul Şehir University Department of Turkish Language and Literature)
  • Metin BAL (Dokuz Eylül Üniversity Department of Philosophy)
  • Deniz Altay BAYKAN (Bilkent Üniversitesi Kentsel Tasarım ve Peyzaj Mimarlığı Bölümü)
  • Cana BİLSEL (Middle East Technical University Department of Architecture)
  • Murat CANKARA (Social Sciences University of Ankara, Department of Turkish Language and Literature)
  • Erdal CENGİZ (Ankara University Department of Philosophy)
  • Ali CENGİZKAN (TED University Department of Architecture)
  • Benan ÇELİKEL (Akdeniz University Department of Industrial Design)
  • Jale Özata DİRLİKYAPAN (Ankara University Faculty of Communication)
  • Özge EJDER (Mimar Sinan Fine Arts University Department of Philosophy)
  • Bora ERDAĞI (Kocaeli University Department of Philosophy)
  • Turgay ERDENER (Hacettepe Üniversity Ankara State Conservatory)
  • Jale ERZEN (SANART)
  • Yanping GAO(Literature Institute of Chinese Academy of Social Sciences)
  • Kıymet GİRAY (Ankara University Department of Art History)
  • Ahmet Cüneyt GÜLTEKİN (Ankara University Department of Philosophy)
  • Suna GÜVEN (Middle East Technical University Department of Architecture)
  • Fethi KABA (Anadolu University Department of Animation)
  • Cem KAMÖZÜT (Mimar Sinan Fine Arts University Department of Philosophy)
  • Çağla KARABAĞ (Hacettepe University Faculty of Communication)
  • Kemal Reha KAVAS (Akdeniz University Department of Architecture)
  • Harun KAYGAN (Middle East Technical University Department of Industrial Design)
  • Pınar KAYGAN (Middle East Technical University Department of Industrial Design)
  • Senem KURTAR (Ankara University Department of Philosophy)
  • Patric Simon Mofett LEVY (University of Dundee Department of Philosophy)
  • Vladimir MAKO (Belgrade University Faculty of Architecture)
  • N. Gabriel MARTIN (Lebanese American University Department of Philosophy)
  • Lale ÖZGENEL (Middle East Technical University Department of Architecture)
  • Ekin Pınar (Middle East Technical University Department of Architecture)
  • Güven Arif SARGIN (Middle East Technical University Department of Architecture)
  • Corry SHORES (Middle East Technical University Department of Philosophy)
  • Ayşen SAVAŞ (Middle East Technical University Department of Architecture)
  • Mehmet ŞİRAY (Mimar Sinan Fine Arts University Department of Philosophy)
  • Deniz Altay TANRIKULU (Bilkent University Department of Urban Design and Landscape Architecture)
  • Demet TAŞDELEN (Anadolu University Department of Philosophy)
  • Sibel Oktar THOMAS (Özyeğin University Faculty of Social Sciences)
  • Polona TRATNIK ( Alma Mater Europaea – Institutum Studiorum Humanitatis, Postgraduate School for Humanities)
  • Emine Hande TUNA (Brown University Department of Philosophy)
  • Ertuğrul Rufayi TURAN (Ankara University Department of Philosophy)
  • Tansel TÜRKDOĞAN (Gazi University Faculty of Fine Arts)
  • Güzin YAMANER (Ankara University State Conservatory)
  • Filiz YENİŞEHİRLİOĞLU (Koç University-VEKAM)

Thierry de Duve

Historian and philosopher of art Thierry de Duve is Evelyn Kranes Kossak Professor at Hunter College, City University of New York. His English publications include Pictorial Nominalism (1991), Kant After Duchamp (1996), Clement Greenberg Between the Lines (1996, 2010), Look—100 Years of Contemporary Art (2001), Sewn In the Sweatshops of Marx: Beuys, Warhol, Klein, Duchamp (2012), Aesthetics at Large, Volume One: Art, Ethics, Politics (2018), and Duchamp’s Telegram, From Beaux-Arts to Art-in-General (2023). Two volumes of his Essais datés, published in French by Mamco in Geneva, have appeared in the last few years: Vol. I, Duchampiana, in 2014, and Vol. II, Adresses, in 2016. He is presently working on Volume Two of Aesthetics at Large, titled Farewell to Romanticism.

Jacob Lund

Jacob Lund is Associate Professor of Aesthetics and Culture and Director of Centre for Research in Artistic Practice under Contemporary Conditions at the School of communication and Culture, Aarhus University. He is editor, with Geoff Cox, of the book series The Contemporary Condition with Sternberg Press (since 2016) and was Editor-in-Chief of The Nordic Journal of Aesthetics 2007-2023. Lund has published widely within aesthetics, art studies, critical theory, and comparative literature. Currently he is engaged on the research project Artistic Practice under Contemporary Conditions, running 2022-2026 and made possible by an Investigator Grant from the Novo Nordisk Foundation: https://cc.au.dk/en/apcc. His most recent authored book is The Changing Constitution of the Present: Essays on the Work of Art in Times of Contemporaneity (Sternberg, 2022).

Eray Çaylı

Eray Çaylı, PhD (University College London, 2015), is Professor of Human Geography with a Focus on Violence and Security in the Anthropocene at University of Hamburg. His work interweaves geography, anthropology, and material/visual culture to explore the role that physical environments and their images play in political violence and defiance in Turkey and its environs, and among their diasporas. His publications include the monographs Earthmoving: Extractivism, War, and Visuality in Northern Kurdistan (2025, University of Texas Press), Victims of Commemoration: The Architecture and Violence of Confronting the Past in Turkey (2022, Syracuse University Press), İklimin Estetiği: Antroposen Sanatı ve Mimarlığı Üzerine Denemeler [Climate Aesthetics: Essays on Anthropocene Art and Architecture] (2020, Everest; in Turkish; expanded edition reprinted in 2023), and the anthology Architectures of Emergency in Turkey: Heritage, Displacement and Catastrophe (2021, Bloomsbury/I.B.Tauris). He is one of the editors of the Journal of Visual Culture.

Alan Prosser

  • Abstracts should be between 300 and 500 words.
  • Abstracts should be in .docx format. They should be written in Times New Roman, 12pt. The title should be bold and uppercase.
  • Abstracts should be prepared for blind review. The text shouldn’t include any indication of the identity of the author.
  • In order to apply for the Congress with your paper, please click on the link below, fill in the form and upload your paper to the system.

CLICK HERE TO APPLY

Will be announced after the application process is finished.

Welcome to Çanakkale Onsekiz Mart University

A Quick Guide for International Visitors

We’re delighted to welcome you to Çanakkale Onsekiz Mart University (ÇOMÜ) for the congress, which will be held at the Troia Cultural Center (Troia Kültür Merkezi). This guide provides some helpful information for your visit.

Before You Arrive:

  • Visa Requirements: Ensure you have the necessary visa for Turkey. Check with your local Turkish embassy or consulate well in advance.
  • Travel Insurance: We strongly recommend obtaining comprehensive travel insurance that covers medical emergencies, trip cancellations, and lost luggage.  
  • Accommodation: If you haven’t already booked accommodation, Çanakkale offers various options, including hotels, hostels, and guesthouses. Consider booking in advance, especially during peak season.
  • Currency: The Turkish Lira (TRY) is the local currency. You can exchange currency at banks, exchange offices (Döviz Bürosu), or ATMs upon arrival. Credit cards are widely accepted in many establishments.  

Getting to Çanakkale and ÇOMÜ:

  • By Air: The closest airport is Çanakkale Airport (CKZ), which has domestic flights. For international flights, Istanbul Airport (IST) or Sabiha Gökçen Airport (SAW) are the main options. From Istanbul, you can take a domestic flight to Çanakkale or a bus. Buses are a common and affordable way to travel within Turkey.  
  • By Bus: There are frequent bus services from major cities in Turkey to Çanakkale. The Çanakkale bus terminal (Otogar) is well-connected to the city center and the university.
  • Getting to the Troia Cultural Center (Troia Kültür Merkezi): The Troia Cultural Center is located on the ÇOMÜ – Terzioğlu campus. Local buses (belediye otobüsleri) and taxis are readily available to reach the university. You can ask for “Onsekiz Mart Üniversitesi Terzioğlu Campus”. Campus maps will also clearly indicate its location. You can see the google maps location of the centre by clicking here.

At ÇOMÜ and During the Congress:

  • Campus Navigation: Campus maps will be available at the registration desk, clearly marking the Troia Cultural Center. Signage within the campus will also direct you to the venue.
  • Registration: Upon arrival, please register at the designated registration desk within the Troia Cultural Center to receive your conference materials and badge.
  • Language: English and Turkish will be the primary languages of the congress.
  • Food and Drink: There are cafeterias and restaurants on campus and in the surrounding area offering a variety of food and drinks. Lunches will be provided for the congress participants.
  • Internet Access: Wi-Fi is generally available on campus. Participants from institutions that are part of the eduroam network will be able to connect to the campus Wi-Fi using their home institution credentials. Information about accessing the university’s Wi-Fi network will be provided at the registration desk in the Troy Cultural Center.

Useful Information:

  • Emergency Number (All Services): 112 (This number connects you to police, ambulance, and fire services.)  
  • Time Zone: GMT+3
  • Electricity: 220 volts, 50 Hz (European standard plug)

Exploring Çanakkale:

Çanakkale is a historically rich city with many attractions, including:

  • Troy Ancient City: A UNESCO World Heritage Site.
  • Gallipoli Peninsula: A significant historical site from World War I.  
  • Çanakkale Naval Museum: Showcasing naval history and artifacts.
  • Kordon (Seaside Promenade): The area offers a beautiful setting for walks along the sea, complemented by numerous restaurants, cafes, and bars where visitors can relax and enjoy the atmosphere.

We hope you have a pleasant and productive stay in Çanakkale! If you have any questions or need assistance, please don’t hesitate to contact the congress organizers. We look forward to welcoming you to the Troia Cultural Center!

Dr. Murat Çelik

Ankara Üniversitesi

Dil ve Tarih Coğrafya Fakültesi

Felsefe Bölümü

Sıhhiye, Çankaya / Ankara

mca@sanart.org.tr